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“Minoan” with Gyana A - just one look…

Gyana A: Minoan, by Arkisi, ripe-lipped, luscious, sexy beauty

Love at first sight. It’s something I imagine everybody has experienced at least once in their romantic lives. It’s an appealing concept, and has been memorialized in literature, films, and popular songs. And, in the case of this MetArt erotic photo series, I will admit to feeling an immediate and strong attraction to this model. I’d only reached image #002 when I felt myself drawn to this very sexy girl.

However, it is not a pop song about instantaneous attraction that I allude to in the title of this post. The meaning of “just one look” is far more literal and descriptive. Because, for all her curvy, sexy, inviting physical beauty, Gyana A limits herself to…just one look. And by that I mean, specifically, her facial expression. Her big, dark eyes are open wide, her plump, luscious lips are sealed in a voluptuous pout, and that’s it.

Now, it’s a good look, don’t get me wrong! It’s an expressive look - and what it expresses is sultry and sexually provocative. But, over the course of over 100 photographs it barely changes. Gyana A serves up plenty of different poses, and photographer Arkisi moves her all around the space, but the look on her face remains stubbornly stuck in place.

The lingerie is flirty and seductive. The lighting in “Minoan” is moody and evocative of an afternoon of sensual delights - and a shot like #060 finds the model at her most relaxed while showcasing the photographer’s un-fussed, natural style. The explicit shots, like #058, are effective and eye-pleasing. I just wish that this sexy, shapely, ripe-lipped beauty would use one of her most striking assets to greater effect. Gyana A has a beautiful face and gorgeous mouth with really exceptional lips, If only she would use these gifts to their full potential.

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“Violett” starring Chantelle A - resistance is futile…

Chantelle A: Violett, by Rylsky, stunning girl, erotic art excellence

He could have traveled to a dramatic location - a mysterious forest, a wave-lashed beach, a craggy mountain top. He might also have painstakingly constructed an elaborate set and decorated his studio with a profusion of props, furnishings and fabrics. And Rylsky, an experienced photographic artist if ever there was one, could have crafted this set in a palatial private residence, positioning his subject against a backdrop of plush, ornate, elegance.

No, no, and no! Here the artist strips things down to the very basics and achieves excellence through sheer simplicity leavened with skilled creativity. “Violett” may not have much in the way of fancy, fussy art direction - the lighting is direct, flattering, and effective, but far from dramatic. And he hasn’t resorted to visual tricks or technical gimmickry. Rylsky has worked erotic photographic magic here by including one special ingredient - and it’s known as Chantelle A.

I’ve reviewed three of Chantelle’s galleries (count ‘em: one, two, and three), and she has impressed me mightily in every one of them. This model is physically delightful, that much is plain. But she radiates such a bright, beautiful, beguiling personality that it’s almost overwhelming. And here, on Rylsky’s simple light purple seamless backdrop, there’s nothing to distract from her perfect beauty and powerfully disarming persona.

As you might imagine, trying to pick favorites out of a pictorial like “Violett” isn’t easy. It’s a big set, for one thing. And it contains a lot of variety. In the vast bulk of the collection Chantelle A is completely nude, although she does appear in a rather modest bikini in a handful of shots at the end of the series. And her moods are every bit as varied as her poses - and her poses are extremely varied! She’s giddy, she’s serious, she’s silly, she’s sultry. She’s relaxed, intense, thoughtful, playful, impulsive, and composed. I’m going to limit myself to three images. #011, nothing fancy here, just a perfectly beautiful girl, with a splendid body, in a fine photo. #075, those eyes, that face, that hair. #041, that stellar body, arched into an awesome and impressive full bridge revealing her physique to stunning effect. “Violett” overflows with wonderful images of a remarkably beautiful and appealing model. Who could possibly resist all that?

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“Carriera” starring Mary C - movement is an improvement…

Mary C: Carriera, by Leonardo, MetArt HD erotic movie

The MetArt HD erotic movie titled “Carriera” was lensed at the same time as a still photo set called “Volico.” Enough time has passed since I critiqued the pictorial that I’d forgotten my reaction to it. So I was able to watch the movie with “fresh” eyes.

And I must say I found it enjoyable. It is short, just over six minutes, but that seems to be about the perfect length for this very simple production. Mary C is quite beautiful, and her slim, curvy body is displayed from nearly every possible angle as the film progresses.

Mary C is nearly or totally nude for the entire production, and she is not in the least inhibited. She does, however, seem ever so slightly nervous or ill at ease. I have two thoughts about that. One, it can’t be easy staying in constant motion while playing to the camera for even this brief span of time, so I’m inclined to give her a pass on this point. Also, if she is unsure or uncertain, she attempts to mask it by smiling. And the smile can appear stiff or forced after a while. However, it is such a beautiful smile, I will give her a pass for that, as well! This type of beauty is a delight to view, and it makes it easy to excuse what faults I might find with the performance.

Now, after rereading my review of “Volico,” I’m reminded that I found similar faults in the pictorial. For some reason those faults appeared more glaring in the photo series when compared to the movie. Working with the same photographer/director, Leonardo, on the same set and almost certainly on the same day, the two creations are still different.

I tend to think that, even if Mary C is a somewhat tentative performer, and even if she does have a somewhat limited expressive range, the video format is more forgiving. She’s beautiful in pictures and she’s beautiful in motion pictures, but more of her personality comes across in the latter format.

I wonder how those among Mary C’s admirers who have viewed both “Volico” and “Carriera” feel? With luck, some of them will offer their thoughts in the comments, below.

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SexArt Live this Sunday!

Make sure you tune in to SexArtLive this Sunday at 2PM! Our two SexArt stars Lexi Bloom and Jasmine W get hot and heavy live on camera! Don't miss it! Just visit MetCams.com and search for SexArt_Live!

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“Galore” with Suzanna A & Orvelia O - plenty of something…

Suzanna A & Orvelia O: Galore, by Goncharov, nude, wet, and nude

It’s an assignment with a built-in handicap that puts the artist at a disadvantage before he’s even begun. The built-in restrictions that apply to MetArt girl/girl pictorials - indeed all MetArt pictorials and HD erotic movies, as well - limit what can be done by the models and shown in the photographs. MetArt is soft-core by definition and design, genital contact is forbidden here. The absence of insertion obviously hasn’t hurt the site! Indeed, MetArt‘s tasteful style is fundamental to its unprecedented success and longevity in a fickle marketplace.

But still, a girl/girl pictorial presents a problem. Are they simply two girls posing together nude? Or does the photographer choose to imply that they’re romantically or sexually interested in each other? And if he chooses the second route, how does he get his models to convey that to his camera? That is the challenge long time MetArt contributor Goncharov has chosen to undertake. How successful he has been is up to the individual viewer.

And since I’m the individual viewer charged with blogging about “Galore,” I will share my thought process. When they are good, girl/girl sets can be as good as any single girl erotic photo series. When they are bad, however, they have the potential to be very bad. Both these models are appealing as individuals. Of the two, I think Suzanna A looks a bit better here than Orvelia O. The lighting, the lack of styling, and the aquatic setting - the girls share a large bathtub - isn’t kind to Orvelia’s complexion, lending her an unwholesome pallor in some shots.

But the biggest single problem is that these girls obviously couldn’t give a fig about one another! They’ll pose together, they’ll pretend to kiss if that’s what Goncharov wants, but there isn’t the merest whiff of sexual attraction or connection anywhere in the set. In fact, the few genuine moments can be found in shots where the girls burst into laughter - see #098, #104, and #110. Notice the glass of amber liquid in that last image. If that is the social lubricant I suspect it to be, they either used too little or too much.

Both models deserve better, and Goncharov is certainly capable of creating it. That’s my opinion, nothing more. If you disagree and would like to help me understand the error(s) of my thinking, I invite you to share your thoughts in the comments, below.

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“Aphinome” starring Izabelle A - half girl/all woman…

Izabelle A: Aphinome, by Oleg Morenko, nubile beauty/erotic art cutie

There is something amazing and almost inexplicable going on in this MetArt erotic photo gallery. And it is present and obvious throughout the entire set. This model, Izabelle A, can look innocently youthful in one image, and in the very next shot she can suddenly appear knowing, worldly, and mature. The difference is striking - night and day. How she accomplishes this I can’t even guess, but it is truly something to see!

Part of this can surely be attributed to her slim build. Izabelle has a compact, trim little body, with pert breasts and deliciously delicate details. She has, I think, rather narrow hips, but there is nothing boyish about her build in the least. Her ass, while petite, is also round and wonderfully ripe. In some poses - standing in #088 and #090 - she displays the athletic build that I associate with female gymnasts. She’s undeniably fit, but also undeniably, exquisitely feminine. What a remarkable specimen!

It has been over a year and a half since I had the pleasure of viewing this model, and after revisiting my first post about her those happy memories came back in a flood. That set was also shot by Oleg Morenko. I like both pictorials very much, but here he’s taken a somewhat more naturalistic approach to the style and lighting of the set. Izabelle is completely and gloriously nude throughout, and spends most of her time posing on white sheets.

Morenko manages to include a broad range of images and Izabelle strikes interesting and unusual poses. We go from pure, nothing-showing, cuteness in #004, with the model on her belly, to #016 a steamy, but still rather demure pose rolled over onto her back. We find in #029 a lovely headshot (beautiful breasts included); and elsewhere the artist includes detailed shots of feet and other inviting attributes.

If I must find one thing to complain about it is simply that “Aphinome” is relatively brief! A scant 106 images feels like a bit of an appetizer when the main course is so amazingly appetizing.

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“Presenting” Maria N - a pretty, pink, premiere…

Maria N: Presenting, by Ingret, perky breasts, first nudes, pretty pix

Photographer Ingret‘s set design for this MetArt new model debut series is sweetly feminine. The walls are papered in shades of pink, and two French doors, the floor, and other furnishings are white which ties in nicely with the model’s white necklace, stockings, and garter belt.

This sweet, girlish, youthful setting provides a fine backdrop for a sweet, girlish, young model. Despite the fact that Maria N is topless and bottomless from the first shot, there’s a hint of innocence here, and the wreath of delicate flowers in her hair in the introductory shots ads a pleasantly angelic touch. The stylized presentation has an almost greeting card flavor, and I mean that as a compliment - see #012 for a perfect illustration of my point.

This is a generally confident performance for this lean and well shaped 21-year-old. Certain telltales - stiff hands, for example - give away her presumed lack of modeling experience, and I think she works a touch too hard at projecting a calm, serious mood when something more spontaneous and energetically girlish would be more in keeping with the design of the pictorial. But she is a charming and pretty girl and I offer these minor complaints in the spirit of constructive, encouraging criticism.

Ingret does suffer from the tilting frame from time to time, but he also delivers some extremely pretty images in this collection. The lighting is soft and effective in #047, a subtly moody shot. The absence of pink design elements in #056 adds a feeling of mature sophistication than the more girlish compositions in the set contain. I like the backlight and the bold, seated pose (but could do without the tilt) in #098. And with #114, her beautiful body partially hidden by an open door, model and artist arrive at absolute perfection. “Presenting” Maria N is a very pretty premiere, indeed.

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“Polaines” starring Eva E - short and sweet…

Eva E: Polaines, by Fenix, MetArt HD erotic movie

I refer, in this post’s title, not only to the model’s stature, but to the qualities of this MetArt HD erotic movie. It’s a tasty visual confection, not much over six minutes in length, that is as easy to enjoy as a piece of sugar candy.

Eva E, the beautiful bonbon at the center of “Polaines” does happen to be short and sweet - standing a relatively petite 5-foot-3, and tipping the scales at a distinctly dainty 99 pounds. And that petite frame is both beautifully firm and toned as well as exceptionally shapely. Her proportions are such that I would have guessed she was much taller had I not peeked at her model bio.

Another fact I find interesting about this model is that she’s appeared in ten MetArt erotic videos in addition to twelve still pictorials - she’s had a lot of experience in moving pictures, and that’s amply evident in “Polaines.”

There is nothing elaborate or overdone in this production from director Fenix. The mood is casual and carefree, and it’s really nothing much more than a pretty girl interacting with the camera. Eva starts out wearing a blouse and what I can only describe as ankle warmers. She moves with playful grace, often walking on tiptoe, and both performer and director take advantage of large mirror-finished windows that allow for some interesting visual effects.

But, again, not much happens, there’s nothing to speak of in terms of narrative, art direction, or cinematic trickery. It’s just a few enjoyable moments spent in the company of a beautiful naked girl with a particularly pleasing personality to match her inviting body. Much like its star, “Polaines” is a short and sweet little visual treat.

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Get ready to see our SexArt stars LIVE on MetCams this Sunday!

This Sunday our two SexArt stars Lexi Bloom and Charlotte Stokely will be doing a live girl/girl show on MetCams.com at 2pm PST. Make sure you tune in and view our two favorite gals get hot and heavy live on camera! Just click the image above, or go to MetCams.com and search for "SexArt_Live"

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Don't forget to take advantage of My Met!

If you're ever browsing our site and stumble upon a gallery you think is amazing, just add it to your favorites! All favorites are saved to 'My Met' which is found on the top navigation bar next to the upgrades option. You can save different girls, different sets, or even photographers! Not only will you have access to your favorites, but if you choose a certain item as your favorite, you can either opt-in or opt-out of receiving e-mails that notify you of new content! So if you add a model to your favorites, you'll be able to receive e-mails letting you know that your favorite girl has a new set! You can also get quick access to your favorites by hitting the "recent" star button on the right hand side of the page. This menu shows you what you recently viewed as well as things you've added to your favorites!

So go ahead and personalize your MetArt experience! Don't forget, if you have any questions you can always send an e-mail to our support team at support@metart.com

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“Kladie” with Semmi A - semi-strange and slightly surreal…

Semmi A: Kladie, by Alex Iskan, busty, explicit, surreal nude art pix

I happen to have written a critique of this model’s first MetArt pictorial. While I found no fault with the model’s performance, I did note several peculiarities in the design and execution of the photo series.

Now I have the opportunity to revisit Semmi A, this time working with a different photographer, and I quickly discover we’ve moved from the simply peculiar to the downright perplexing. This is a truly odd artistic effort.

The strangeness in Alex Iskan‘s photo essay isn’t fully apparent in the first handful of images, but it is there, make no mistake. Here we find Semmi A on a long staircase leading up to what is either a Soviet era housing project, or perhaps a minimum security prison. The weathered concrete surrounding the model is cracked, weedy, and litter is scattered about. Semmi is cute and appealing, however, wearing sunglasses on this sunshiny day and a figure-hugging dress in an eye-catching shade of turquoise. But compare #006 with #007. In the first, framed in a way that suggests she’s nude in this public place, there’s a beautiful, natural spontaneity. In the second, her face nearly obscured by her hair, what are we to think? My guess: a curious error perhaps caused by a sudden, unexpected gust of wind. Odd that it’s included.

But the oddness has only just begun! The bulk of the set takes place in a backyard. There is an air of disrepair to the setting, and the lawn is unkempt, coarse, and dieing in patches. Semmi is positioned on a chaise lounge, wearing a black and white cocktail dress. To add to the building incongruity, these images are strangely underexposed, perhaps deliberately. A large ceramic frog is present in some shots, and a flower and other foliage is often present, out of focus, in the immediate foreground. It’s not easy to describe, nor is it easy to comprehend. Examine #035 and see what conclusions you can come up with.

Semmi A and Alex Iskan are definitely up to something in “Kladie.” I’m not sure what it is, exactly, but there’s an intriguing quality in the overall strangeness of the set. #033 and #051 make a curious pair, for example. #063 has an almost David Lynch feel. And the poses and day-for-night lighting in #100 and #118 add mystery to the prevailing inscrutability. For those seeking the unusual, this set provides a ray of surreal sunshine on a “Kladie” day.

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“Presenting” Iwia A - an enjoyable introduction…

Iwia A: Presenting, by Luca Helios, dark-eyed, tiny-top first-timer

The first impression. The thrill of discovery. That very first glimpse of a fresh face. If you have an eye for and an interest in feminine beauty, there are few experiences to compare with setting eyes on a beautiful girl for the very first time. I believe this is central to the success of MetArt, because no other site can match seemingly endless parade of new erotic models, year in and year out! We all have our cherished favorites, to be sure, but what MetArt member doesn’t look forward to the arrival of new models in the galleries?

Which brings us, conveniently, to Iwia A. Under the guidance of Luca Helios this dark-eyed beauty performs admirably in her first appearance at MetArt. Her styling and presentation are natural and understated, and the bright white lingerie set she’s wearing flatters both her figure and her coloring and complexion. Likewise, the style of the room and the lighting is natural and comfortable. And, apart from the slightest hint of stiffness in her hands, Iwia appears to be comfortable whether clothed or completely, explicitly exposed.

While Helios does suffer from a bit of Lost Horizon Syndrome - the dreaded tilting camera disease - off-kilter shots don’t out-number the plumb and level compositions, and he includes everything from full-length portraits, to some beautiful headshots (#045 and #049 in particular) as well as close-up details of feet and other enticing anatomical attractions.

There’s not a great deal of drama here, but Iwia A has a pleasing energy to go with her appealing appearance. It’s hardly a blockbuster, dramatic debut, but “Presenting” Iwia A certainly provides an enjoyable introduction.

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“Rander” with Gillian B - compromised by complexity…

Gillian B: Rander, by Leonardo, naked girl on a cluttered set

This is the first time I’ve seen this particular model, but I’m quite familiar with the work of her photographer, Leonardo, so I assume she is in capable hands. This photographer has a particular knack for lighting design, and he has impressed me with his skill and artistry time and again. But after viewing only a handful of images in this series I realize the man is not infallible!

The set design is a chaotic collection of patterns and colors. Black and white striped curtains are flanked by gaudy, outsized floral tapestries. A couch is upholstered in a patchwork of parti-colored fabrics. A cut glass table lamp adds a bit more visual clutter, and then odd and unexplained light throws diagonal shadows across the body of the hapless model who must somehow take center stage surrounded by this visual chaos.

Gillian B does her best, but she’s working at a distinct disadvantage. She is a pretty girl, with a curvy body and a winning smile (see #019), but despite her concerted efforts I can never “tune out” the distracting background and devote my full, relaxed attention to her attributes and performance. The sheer blue blouse is sexy, yes, but it’s not nearly dramatic enough to compete with the kaleidoscopic visual assault she must contend with here.

Perhaps “Rander” is a stylized variation on the word “random,” because there’s an arbitrary, haphazard quality to the art direction and execution here. The work of an inexperienced artist? That I’d understand. But from a seasoned and accomplished professional like Leonardo? Well, even the master has an “off day,” or so it seems.

Take Gillian B, in the very same blue blouse, and put her on white sheets on a white bed in a white room - that kind of simplicity would both flatter and showcase this model in simple and effective fashion. Make no mistake, I had a strong reaction to this set. But I do welcome other points of view. Is there something I’ve missed in coming to my conclusions? Please feel free to share your points of view, below.

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“Presenting” Taylor A - blonde beauty on board…

Taylor A: Presenting, by Alex Iskan, MetArt HD erotic movie

Although I’m certain it has happened in the past, this new model debut is notable in that it’s a MetArt HD erotic movie, and not the far more typical first time pictorial. And the format of this premiere appearance is but one intriguing feature that make this relatively short film long on viewing pleasure.

For one, the entire production takes place on a sail boat as it plies the waters of a broad river. Poised on the bow, with the wind in her short, stylish blonde hair, Taylor A is wearing a floor length dress, but gravity - assisted by the telepathic wishes of the viewing audience - pulls it down in short order and the leggy beauty is totally nude for the rest of the voyage. Taylor is completely at ease and uninhibited, and even waves cheerily to the crew of a passing vessel just after the two minute mark.

This appears to be the end of a day on the water and the sun is low in the sky. If I have a single complaint with Alex Iskan‘s production it can be attributed to the time of day - I’d prefer to get my first look at this beautiful new MetArt model at midday, when the details of her tan, long-limbed and elegant body would be revealed with greater clarity and detail.

Even so, “Presenting” Taylor A is a pleasure to watch, and combined with the water, the surrounding scenery, and the evocative soundtrack, this brief video voyage accomplishes its goal skillfully and successfully. I look forward to seeing more of Taylor A, whether it’s at sea, on dry land, in still photos, or in more movies.

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“Actina” starring Indiana A - a face, a place, a fantasy…

Indiana A: Actina, by Luca Helios, natural beauty in beautiful nature

One of the less obvious pleasures that MetArt provides me are the numerous opportunities to view distant and varied locations. And the fact that these locations are generally not identified or recognizable only adds to their allure. Put an appealing young girl in a shadowy forest, on a windswept dune, or on a country road and the actual geographic location doesn’t matter - I take in the beauty of the subject and scene and my imagination takes flight.

Actina” perfectly illustrates my point. Indiana A, wearing only a metallic belt around her trim waist and a wisp of sheer yellow fabric (an improvised bikini top), stands barefoot among gnarled conifers. She appears to be on a cliff top or promontory and the still blue waters of a lake or inlet provide a truly picturesque backdrop. Is she a wood nymph, a water sprite, a siren? The combination of the setting and the model’s lively and energetic spirit invites this type of fanciful speculation, and this only adds pleasure and enjoyment to the pictorial as it unfolds.

While I always strive to maintain some sense of objectivity, this model obliterates it. I love this girl! She’s something approaching physical perfection - her complexion, her proportions, her lithe yet shapely physique. And her face is exceptionally attractive, and is made more so by the lively, kittenish spirit that animates it. The plump-lipped pout, those glittering, toying, eyes, her waist-length hair, a subtle spray of freckles across the bridge of her adorable nose. Yeah, I’m a fan of Indiana A.

And it appears that photographer Luca Helios is, too. He uses the rustic, natural setting in wonderful ways that accent the model’s natural, earthy beauty while also imparting an undeniable glamour (see #028 for a wonderful example). As is to be expected in a series in which the model is virtually nude throughout, there are numerous shots of Indiana’s intimate bits, and some impressive figure studies (#048 is one particularly nice one), but I find myself drawn to the exceptional headshots in the collection (#026 is a gem, as is #067, and #090, as well). Then again, #058 is great, I love both smiles in #042, the light on her breasts and the look on her face in #114, and the wild hair and single visible eye adds magic to #117, another headshot.

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Check out SexArt Live on MetCams.com this Sunday!

Don't forget to check out SexArt Live on Metcams.com this Sunday to view a live girl/girl show between our two stars Jasmine W and Lexi Bloom! Just click the link below for instant access, or go to MetCams.com and search for SexArt_Live!

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“Presenting” Pammie Lee - steam in the studio…

Pammie Lee: Presenting, by Tony Murano, busty exotic beauty nude pix

This is one of those MetArt erotic photo galleries that hooked me after a single, casual glance at the cover. Say what you will about big, splendidly shaped, stunningly symmetrical breasts, but there’s no denying that Pammie Lee has them. And the perfection of her bosom is complemented by the intriguing expression of her undeniably beautiful face. And when I notice that this set was shot by Tony Murano I anticipate a rewarding and enjoyable experience.

Presenting” Pammie Lee more than lives up to the promise of its cover, and it also brings up some interesting points about erotic art photography and the entire MetArt experience.

In yesterday’s post I evaluated a set that I quite liked. What I find interesting is that yesterday’s set and this one could not be more dramatically different. Yesterday it’s a girl-next-door type, shot by day in natural light, in a casual, natural style. Today it’s an exotic bombshell, styled to the nines, photographed in the controlled environment of the studio. These two sets have very little in common, but this diversity, this range, this type of variety is makes them both fit perfectly at MetArt.

There’s a steamy, dreamy, late night feel here, with perhaps a hint of New Orleans (or is it Amsterdam?) in the mood, style, decor, and costuming. Dressed, but only barely, in black lingerie, Pammie Lee presents a truly striking figure. #035, framed from the neck down and the thighs up, captures the superb curves of that hourglass shape masterfully. I also like the mood conveyed in #008, the formality of the pose in #027, the implied action in #028, the relaxed stance and smile in #049, and several of Tony Murano‘s signature explicit images, including #097 and #122. The moody, stylish presentation makes a fine showcase for this impressive new model.

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“Veranta” starring Sophia E - the simple delights of natural light…

Sophia E: Veranta, by Koenart a natural beauty shot in natural light

While I well remember Sophia E’s MetArt debut photo series, I had forgotten that it was also photographer Koenart’s first contribution to the site. In the time that’s passed since that impressive double-debut, the model has added 12 sets to her portfolio, and the artist has compiled a grand total of 108 galleries.

Koenart shot all of Sophia E’s MetArt pictorials, and he’s taken care to photograph her in a variety of settings with differing presentations. In “Veranta” he takes a natural approach to the design of the series that is particularly suited to the girl-next-door beauty of his subject.

In an image like #062, a headshot, the soft, natural light fully captures the pleasing details of Sophia’s face - notice how the right side of her face is softly defined and highlighted, while the left side is silhouetted against the dark backdrop of her hair. This photo is casual, almost a candid, and yet there’s a subtly controlled artistry evident, as well.

Sophia E has a somewhat subdued mood in much of the set that’s fully in keeping with Koenart’s style and art direction, and that makes several bursts of energy and enthusiasm - her warm smile in #111, for example - all the more notable.

Most of the set has Sophia framed in a doorway - she’s inside, he’s outside the room - but plentiful variety in terms of both poses and compositions is provided. And when the angle is reversed - shooting from inside to outside - the result is quite striking (see #091 and #092). Koenart mixes things up - he shoots from high angles (#059) as well as just off the floor (#068), and full-length figure studies are balanced by detailed, explicit close-ups. “Veranta” proves that a talented photographer needs nothing more than a beautiful subject and natural light to create artful images.

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“Presenting” Nastya K - her place in the sun…

Nastya K: Presenting, by Catherine, hot nude pix of 18-year-old beauty

Of all the many decisions facing an artist preparing for an outdoor photo shoot, the choice of location may be the most important. No matter how skilled the photographer, and no matter how beautiful and talented the model, the wrong setting can ruin a pictorial before the first click of the shutter. I’m not suggesting the location must be beautiful - some wonderful art has been created in challenging and unlikely locations, but a beautiful setting never hurts - and in the case of this new model debut, it’s an absolute blessing.

MetArt contributing photographer Catherine has chosen a simply beautiful location for this series, and Mother Nature has been a particularly helpful assistant. She’s bathed a sprawling meadow crowded with blooming dandelions with warm, bright sunlight, a barely perceptible breeze blows lightly across the verdant landscape, and she’s dotted the sky with puffy clouds. What could possibly improve this bucolic, pastoral environment? A beautiful young girl, of course!

And in that role first-time MetArt model Nastya K is perfectly cast. Positioned on a cream-colored sheepskin throw and wearing a lacy, frilly summer dress, this dark-haired nymphet fairly glows with youthful vitality. I’m immediately struck by the radiant beauty of her skin. Just 18 years old, Nastya has a dewy, glowing complexion that, as we eventually discover, is virtually flawless. And these photos capture the soft, warm texture of that smooth skin brilliantly.

A beautiful location, on a beautiful day, with a beautiful nude girl - that’s a winning combination, and Catherine takes full advantage of it. We find a range of stylish figure studies (#020 and #089 to cite a representative pair); joyous, youthful exuberance (#056); images that are both explicit and thoughtful at once (#057 and #059); and a range of creative and boldly erotic poses that reveal this 18-year-old in gorgeous, thrilling, graphic detail (#065 through #074). The sun isn’t the only thing that shines in “Presenting” Nastya K - the artist and model do, as well.

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Richards Realm calls MetArt a virtual sea of incredible naked women!

In Richards Realm's most recent review, they gave MetArt a 95/100, calling our site yummy! Here's a snippet from the review: "There is an absolute ton of content to keep you entertained - with at least 4 updates per day for the last decade, you can imagine the sheer amount there is to see here. Obviously though, the content quality is what MET Art is really all about, and I can honestly say that you would be hard pushed to find nude art material as good as this anywhere else. Featuring somewhere in the region of 2,600 models and sets from renowned photographers from around the globe, it simply can’t be beat!" Make sure you check out the rest of the review here!

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Malena Morgan: From contract star to cover girl…

Malena Morgan: From MetArt Network contract star to cover girl...

Malena Morgan is a star. The owners of the MetArt network recognized Malena’s potential instantly and signed her to an exclusive contract before anyone else in the adult entertainment industry could. And almost immediately after making her debut in a MetArt erotic photo series she shot straight to the top of the Top Models list. The MetArt membership loves Ms. Morgan and her sets and HD erotic movies are among the highest rated and most popular on the site.

And when SexArt was launched, Malena Morgan was a huge part of the new site’s overnight success. Not surprisingly, she quickly became the most popular performer at SexArt based on the votes of the membership at large.

When the creators of Touch me Magazine, an innovative new erotic entertainment e-zine, published their premiere issue what erotic superstar did they choose for the cover? Malena Morgan. And Malena isn’t simply an eye-pleasing cover girl, she’s also featured in a photo-illustrated Q&A that’s filled with biographical background and more than a few tantalizing tidbits of trivia. Did you know that Malena likes to sing Christmas songs in the shower? Neither did we!

The second best thing about Touch me Magazine - the Malena Morgan cover and interview are obviously the first! - is that individual issues as well as subscriptions are totally free of charge. The magazine can be viewed in a browser, but it’s completely cross-platform and Mac, PC, smartphone, and tablet users can enjoy all its interactive goodness anywhere they go.

Touch me Magazine, Volume 1, #1 also includes a detailed and extremely favorable review of SexArt. This comes as no surprise since the editorial team at the magazine obviously have excellent taste. And as a bonus - some might consider it a bit of a tease - Touch me Magazine also devotes a page to SexArt model Sinia A.

If you’d like to see more of Malena Morgan (and read about her, too) you don’t want to miss this. And if you’d like to learn what an independent critic thinks of SexArt, the newest site in the MetArt network, you’ll want a copy, as well. You’ll find your free copy at: TouchMeMagazine.com.

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“Minore” starring Candice B - the hits just keep on coming…

Candice B: Minore, by Leonardo, MetArt HD erotic movie

I know I’m not alone, but I’ve been a huge fan of Candice B from the moment her first photos appeared at MetArt. This girl has a big and beguiling personality that I am powerless to resist. Even if she wasn’t beautiful and blessed with a truly breathtaking body I suspect I’d still be drawn to her - she’s just got a magnetic appeal that really comes across in photos or in films.

But she is beautiful. And she is blessed with a simply spectacular body. The combination of her personal charm and her eye-pleasing appearance has landed her in the upper ranks of MetArt‘s Top Models. And with a performance like the one she delivers in “Minore” I expect her to stay at that exalted level for the foreseeable future.

Leonardo has cooked up an interesting idea for his latest MetArt HD erotic movie. For the entire length of the production Candice B is listening to music on her iPhone. The first track - or at least the one we hear on the film’s soundtrack - is a bouncy, bubbly dance-pop confection and Candice B can barely contain her energy or enthusiasm. And, as she dances to the beat her little dress can barely contain her amazing body. An audio, visual, and erotic peak is reached when she drops the top and exposes her breasts (at the 1:22 mark) and another worth-waiting-for highlight occurs when she drops and discards her frock completely (at 2:07).

I enjoy listening to music, but I don’t think I ever dreamed it would be this entertaining watching somebody else listen to music! Even while Candice B gets her groove on she maintains a direct connection with the viewer. She’s having a great time on this sunny afternoon, but she’s also enjoying sharing it with her audience. This is one of the qualities that makes this girl so amazingly attractive.

The second song, and the second half of the film, is in a more relaxed, mellow mood. As the beat slows, down she goes and Candice spends much of this section on the smooth floor. While the second half of “Minore” may be less energetic than the first, it is also more explicit, by far, and Candice B proudly, confidently, and teasingly reveals every scrumptious inch of her stellar physique. Even if you find this model only half as appealing as I do, I think you’ll find that “Minore” is a major pleasure.

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“Fekunta” with Nikia A - third time’s a…

Nikia A: Fekunta, by Rylsky, inside/outside, nude + explicit pix

Well, in the case of this MetArt erotic photo series - the third I’ve reviewed of this particular model it’s a bit of a mixture. I was quite pleased by her debut. And the second set I evaluated also earned high marks. But “Fekunta” is a bit frustrating.

The set opens strong, and both Nikia A and photographer Rylsky can share the credit. The six introductory images in the collection present the model outdoors, in street clothes, in muted, natural light. Some have a candid quality, others are more self-consciously posed, but all qualify as pretty pictures of a pretty girl.

We then move indoors after a costume change and a session with the stylist. The dress is cute, the decor of this particular interior is interesting, but there is something about the quality of the photos that is unsettling. Part of it may, indeed, be cosmetic - the color and style of Nikia’s hair and make-up is different and less natural than the introductory shots (as well as the two previous sets I’ve mentioned).

Although my experience with and knowledge of image editing software is extremely limited, I suspect that is what is bothering me here. Some of these shots (074 and 082, to cite a pair of examples) have an almost airbrushed quality - or perhaps too much of an airbrushed quality to suit my tastes.

To be clear, I don’t object to image editing technology. I consider it simply another tool at the artist’s disposal. Lenses, filters, lights, are all tools - it’s how they’re utilized and the results they create that I’m concerned with.

So, quite a few of these images have an unnatural look. And a certain stiffness in some of the poses and a similarity in the facial expressions might also be considered weaknesses. “Fekunta” does have its moments, to be sure, and admirers of the model will find much to enjoy. Several teasing up-skirt shots are nice (016, 035, and 043). Nikia’s body is beautifully presented in 022 with her dress pulled up around her breasts. And for in-your-face explicit impact, 062 packs a considerable punch.

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