Big Breasts Blog

After viewing and critiquing I don't know how many Metart HD erotic movies I've come to appreciate the format. The very best ones are no-excuses works of cinematic art delivered in a compact and easily enjoyed package. But many of my personal favorites are notable not simply for their cinematic excellence, but for how they show off and showcase Metart models in a way that still photos simply are not capable of. "Efula" perfectly illustrates my point. Although skillfully crafted and artfully assembled, there's nothing ground-breaking about the technical or creative elements of the film. It's professional and polished, too be sure, but what makes the film so enjoyable is the way it presents and captures aspects of its stunning star.

Candice B is among my favorite Metart models. Her body is breathtaking. She's stunningly sculpted, supremely shapely, and enticing in every last physical detail - from those generous breasts to her intimate bits Candice B is simply delectable, and I mean that in the literal sense. But beyond her obvious physical charms, Candice B has an absolutely irresistible personality that she's eager and able to share with the camera. And it's something beyond simply being "photogenic." With a smile or a glance Candice captures the eye and the imagination. She does it wonderfully in still photos, and it's something I've been aware of since her very first appearance at Metart. But her personality really shines in movies. Everything I love about Candice in still photos is amplified and expanded in movies. A still photo is made in fractions of a second. A film knits those seconds together into minutes, and in those extended moments there is depth, detail, nuance, and enticing energy.

Leonardo has shot Candice B many times before, both in still galleries and films, and he's clearly aware of her all her talents, physical and emotional. In "Efula" he starts on Candice's face, specifically her warm, playful, engaging smile. This girl is so sexy that, even fully clothed, she can melt your heart and make your pulse race with just the smile on her lips and the look in her eyes. After this introduction Candice opens her blue silk kimono to expose her breasts, and the slow reveal is followed by extended display and breast-play. The kimono eventually goes away and Candice shows off every inch of her body, moving with ease and grace and radiating sexy, playful, tantalizing energy. She also, if briefly, spreads her legs wide and pushes her feminine perfection towards the viewer as a vixenish light dances in her eyes.

I've you've only experienced Candice B in still photos you owe it to yourself to experience her in a movie, and this film an excellent choice. Under the direction of a masterful artist in "Efula," Candice B is nothing less than motion picture perfection.

The subject of the Metart erotic photo series titled “Untria” is a striking beauty. Her graceful, slender limbs and long, jet-black hair contribute to an overall effect that balances the delicate with the dramatic. But six of Lydia A’s most impressive attributes - or, rather, three sets of two items - really stand out in this gallery. I’d like to take a moment to sing their praises, in descending order - and by “descending” I mean direction, top to bottom, not in order of importance!

Lydia A has absolutely beautiful eyes. They’re a particularly pale shade of blue, and in certain light they can appear grey or green, but in any light they are magnetically attractive. And there’s a spirited, flirtatious energy animating those eyes - Lydia could render most men helpless with just a seductive glance and a bat of her eyelashes. #099, on her back with her head “upside down” in the frame, captures the beauty of those eyes, as does #016, a head and torso shot in which Lydia holds her right hand between her beautiful breasts.

Ah, yes, those breasts! Lydia is, overall, quite slender and delicate. In pleasing contrast, however, her breasts are wonderfully full, fabulously round, and stunningly sculpted. Clothed or stripped, Lydia’s bosom is truly beautiful, and Arkisi has taken care to include several detailed studies of those awesome orbs - see #018 for one enticing example.

And, finally, we arrive at Lydia’s third and perhaps most thrilling pair, her lips. While I feel the need to be appropriately discrete when discussing a Metart model’s most intimate attributes, I know that I can not be the only viewer who is tantalized by Lydia’s erogenous architecture. Her luscious labia are generously majora, and Lydia takes justifiable pride in displaying them with easy, candid generosity. Arkisi, once more to his credit, captures the splendor of Lydia’s sex in considerable detail, at close range and far, as well as from a variety of libido-pleasing angles. Imagine you were reclining on the floor and looked up to see #048 - the gates of heaven in the flesh.

One of my favorite images in “Untria” skillfully captures all three of Lydia A’s pretty pairs, and it somehow manages to give them equal emphasis in the bargain. In #095 Lydia is seated, her head is tilted to one side and she’s fixed an enticing gaze on the camera; her full, round breasts sport erect and enticing nipples; and her thighs are spread wide to emphasize the two-lipped prize. Those three pretty pairs make for one stunning Metart erotic photo series!

The voluptuous Ukrainian vixen showcased in the Metart erotic photo series titled “Perate” has several outstanding attributes. She’s got a warm, vivacious, and lively personality that really comes across in these photos, for one. She’s got a long and lustrous head of dark red hair that flatters her appealing features and complexion, as well. But the thing - or, better make that plural, things - that will most likely catch one’s eye at first glance are her bounteous breasts. Jutting jauntily, their heft defying gravity’s tug, those glorious creations are capped by nipples that exceed the outer limits of the so-called “silver dollar” size. Beautiful face, enticing attitude, a body that’s otherwise delightful in every aspect, but, yes, those breasts are hard to miss and impossible to resist.

When I started in on the set I assumed that photographer Fabrice was a newcomer to Metart, but I was mistaken, this is his (or, I suppose, perhaps her) thirty-sixth gallery. So, not a new artist, but new to me. And I enjoyed this artist’s approach. Shot in a backyard, and at least to my layman’s eye, employing only natural light, there’s an honest simplicity to Fabrice’s style that goes quite well with Ledona’s relaxed, approachable nature.

I will note that there are only 81 images in “Perate,” a bit shy of the average number, but there’s still enough variety to satisfy, and this is more of an observation than a complaint. One aspect of the set design struck me odd at first: Ledona spends much of the series seated on a glider suspended from a wooden frame in a verdant backyard. And hanging from the top of the frame is a mosquito net, in a vivid shade of pink. As I said, odd. But the sheer pink fabric catches the afternoon sunlight in various interesting ways, and also allows the model to play and experiment with some clever poses, as she does in #010, face half hidden, and #011, beautiful face fully exposed.

While I would have appreciated a couple of closer close-ups of Ledona’s intimate attributes, there are plenty of explicit shots to enjoy here and her anatomy receives comprehensive and welcome exposure in “Perate.” But as breathtaking as her bosom is, and as enticing as her pink succulence appears, it’s Ledona’s personality that’s most appealing here. Simply standing, shapely and tall, and smiling softly at the lens (#033) or breaking into a spontaneous grin (#034) this bosomy beauty is a joy to behold.

Thirty years old at the time the erotic photo series titled “Renle” was shot, Zafira A is a little bit older than the typical Metart model. And in physical terms she’s far more voluptuous and curvy than the more typical slender and nubile nymphets that populate the site. But while she’s more mature and boasts a notably buxom physique Zafira A’s appeal is undeniable.

Photographer Ken Tavos has crafted a flattering and understatedly stylish showcase for this amply endowed subject. The setting is a large, sparsely furnished room - indeed, the only piece of furniture is a squat, blocky leather upholstered sofa. “Renle” opens with a few fully clothed shots and Zafira’s knit mini-dress shows off her spectacular shape in a pleasing but somewhat modest manner. The rich colors of the setting and Zafira’s pose and pensive expression in #002 provide a pleasing and intriguing introduction to the series.

If voluptuous models are to the viewer’s taste “Renle” offers one tantalizing image after the next. Zafira’s heavy breasts are the focus of numerous shots, naturally, but her ample rump and strong, sculpted legs are not ignored. Coupled with her facial features Zafira A is, physically, a superb emblem of the power of ripe, luscious femininity in full, vigorous flower.

There are several enjoyable headshots of the green-eyed Zafira here, and numerous stylish figure studies. And the pose in an image like #083, while somewhat studied, delivers both the beauty of her breasts as well as expressive and alluring aspects of her personality. In other images she projects sheer joy, moody introspection, smoldering sensuality, as well as a playful, energetic, even kittenish essence.

With all that “Renle” doesn’t stint on explicit images. Of the numerous shots of Zafira’s intimate anatomy the group including #075 through $079 are truly eye-opening, and then some. In physical, emotional, and purely erotic terms, Zafira A has got a lot to offer, and “Renle” does an excellent job of presenting her extremely appealing abundance.

One of the first things that struck me about the Metart erotic photo gallery titled “Riuni” was a certain, pervasive “pin-up” flavor. It’s not unusual for a series to contain a couple of pin-ups, usually due to the model’s pose. But here it goes far beyond a couple of images, and well beyond this (talented) model’s choice of poses.

Stunning Swede Lija, busty, blonde, and blue-eyed, makes a fine subject for the slightly retro pin-up style, and other elements of the art direction go a long way in emphasizing and amplifying it. Foremost is the dramatic “Bubble” chair, a clear acrylic sphere suspended by a chain from the ceiling. This alone gives the series a strong taste of the swinging sixties. And Lija’s outfit - a black satin nightie trimmed in white lace and featuring sheer black panels - adds notes of “naughty French maid” and “old school” sexy style.

The rest of Arkisi‘s set, white floor and upholstered walls, only add to the stylized and stylish feel of the session. With all these elements in place artist and model go to work, and “Riuni” proceeds to deliver one delightful, delicious, pleasingly pin-up image after another. In #10, naked from mid-torso down, Lija stands on tiptoe, in profile, and projects pure, stylish perfection. Even more explicit images, like #020, a tantalizing rear view of the model bent over and supporting herself on the cushions of the chair, offers plenty of pin-up flavor.

Lija’s modeling skill and her bright, lively, and engaging personality are in perfect proportion to her physical beauty. Lija is stunning, but she’s no idealized mannequin - there’s a vivacious, energetic, flesh-and-blood woman posing for these stylized photos, and she appears to be loving every minute of it. From achingly explicit extreme close-ups of her moist and magnificent pink bits, to portraits of her profoundly pretty breasts, to dazzling headshots - #082 and #108 are just two of my personal favorites - this bosomy beauty never ceases to beguile, tempt, and tantalize. Thanks to the efforts of a beautiful model and a talented artist, “Riuni” easily earns my very highest recommendation.

Before I’d even opened “Maiori” my first thought was: wow, that’s a big set! And with 143 images in total, this series is substantially bigger than the typical Metart erotic photo gallery. And I’m not simply setting up an obvious joke here: Yes, Mila M is gifted with a “big set” of her own, and those hefty breasts are major contributors to her eye-catching appeal. But Mila boasts additional physical endowments that are also notably larger than average - her green eyes are big, her lips are plump and luscious, she’s got a full, firm behind, and her intimate attributes are spectacularly, generously, and nothing less than fabulously fleshy. Mila M is a stunning, striking, jaw-dropping, traffic-stopping, super-beauty.

I’ve only critiqued one Mila M set prior to this one. And I was as struck by her then as I am today. And in “Maiori” she’s even more striking than before. Her hair is now a dramatic shade of black, and her figure is even more voluptuous than before. Matiss shot both sets, and the approach he takes in “Maiori” is particularly appropriate. The set is alive with ornate details, complicated patterns, and vivid colors. From the silver feet of the purple button-tufted bed, the elaborate print wall covering, black, feather-trimmed bedside lampshades, pink pillows, burgundy bedspread, and other garish props, the setting is busy almost to a fault. But I did say “almost.” If his subject was a more subtle type, the set decoration might overpower her. But Mila M is such a powerful, over the top, visual presence that the decor is somehow perfect. Mila M’s dramatic beauty is only enhanced by this theatrical presentation.

Against this colorful backdrop Matiss has dressed Mila in white lingerie, a bust-flattering corset over lace-trimmed white panties and stockings. A bracelet of pearls - with dramatic gold spikes - is Mila’s sole piece of jewelry. And it’s all she needs. As model and artist go to work they cover a lot of stylistic ground in this ample collection. Mila is captured in explicit, intimate, in-your-face, graphic anatomical detail. Name a body part and you’ll have a chance to experience it here. But there are numerous “fully clothed” shots that are equally impressive and appealing. In #013 this bombshell ultra-vixen displays a demure sweetness that is impossible to resist. And in a headshot like #117 the compelling beauty of Mila’s face is beautifully and naturally captured.

In “Maiori” I get the sense that Mila M is keenly aware of the profound power of her physical beauty and the intensity of her own sex appeal. Mila is confident, but relaxed. She enjoys sharing herself, and there’s a natural warmth to her personality that we don’t always expect from such a striking woman. Mila M may be “over the top” in many ways, but she remains accessible and approachable on a personal level, and that only adds to her devastating charm.

Maturity has much to offer, and there’s no substitute for age and experience. But when it comes to beautiful women, youth is and always will be a powerful attractant. What a nubile woman lacks in wisdom or acquired knowledge she makes up for with the vibrant energy and sweet succulence of youth. Which brings us to the star of this debut Metart erotic photo series, the splendidly busty and undeniably beautiful 18-year-old Evita Lima. I am well aware voluptuous models aren’t to everybody’s taste, but if you like big-breasted girls prepare to have your breath taken.

It’s been some time since I’ve evaluated a set by the thoughtful, creative, and sensitive artist Rylsky. “Presenting” is, in many ways, typical of the photographic stylist’s work. He has a real knack for discovering new and worthy models, and that’s certainly the case here. And he takes care to include a wide range of compositions not only to express his own creativity, but to showcase all of the model’s attributes while also satisfying his audience’s hunger for variety and detail. All that’s true here. Evita Lima is presented in everything from tasteful figure studies (#118), boldly explicit images at medium and close range in a variety of stances, and numerous shots that capture both the model’s beautiful and warmly expressive face as well as her curvaceous and shapely physique.

What is not entirely consistent with Rylsky’s body of work is the set he has chosen. It’s stylized beach shack, in a vivid shade of light blue, complete with sand on the floor, a surfboard, shells, netting, a life preserver, and a captain’s hat. The set design isn’t offensive, and it offers plenty of options in terms of poses and compositions, but it is, frankly, just a little bit corny. Still, Evita Lima’s face and smile are irresistible, even if she’s gazing at the camera through the hole in a life preserver. And when she’s on all fours, aiming her intimate charms at the lens while atop that floatation device, it’s difficult to complain. “Presenting,” despite what minor flaws it may contain, does a fine job of presenting this beautiful, chesty, and charming 18-year-old model. I look forward to more of Evita Lima, and I know I’m not alone.

Evaluating a Metart erotic photo gallery featuring a new model - or a model I’ve never seen before - is one of the highlights of this assignment. There’s a thrill that’s unique to setting eyes on a beautiful girl for the very first time that I never tire of. But sitting down to critique a set featuring a favorite model, one that I’ve seen in several prior photo sets, also has its own unique pleasures. In “Nedenle,” as luck would have it, those pleasures are doubled.

I’ve reviewed no fewer than 10 galleries starring either Candice B or Mia D. They’re not at all alike in appearance or temperament, but they are both incredibly appealling and skilled models. To have the opportunity to see them posing together, well that’s not an opportunity I’d be willing to pass up - not for love or money!

Of course - and this is a subject I’ve written about at some length in the past - Metart girl-girl galleries have certain built-in limitations. If you want to see beautiful girls performing actual, explicit, hardcore lesbian sex acts, I suggest you visit our sister site, Sexart, where you’ll find plenty. So in “Nedenle” I get to see two of my favorite models, together - no sex, no explicit contact, but with girls as pretty as Candice B and Mia D it really doesn’t matter!

Leonardo‘s “Nedenle” is simply a high-quality record of two beautiful models posing nude together in a comfortable, familiar, and pleasing outdoor setting. Sure, Mia D does make a show of kissing and sucking on Candice B’s magnificent nipples. And there are a couple of suggestive, semi-sexual, poses thrown into the mix, but this set is hot because each individual model is hot. And each individual model does expose herself completely and explicitly throughout the gallery. But sexual tension or connection? There’s none to be found.

What can be found in ”Nedenle” is stunning beauty and abundant personality. Bountifully and beautifully busty blonde Candice C and slender, long-limbed, small-breasted brunette Mia D are entirely different types, but they make a truly exceptional pair.

My attraction to and enthusiasm for this model was almost instantaneous. And it wasn’t a fluke, either - all three Barbara D sets I’ve reviewed (here, here, and here) are fine showcases for her physical beauty and her appealing personality. One of the things I find most charming about this shapely blonde is that she projects her warmth and innocence in such a natural, unaffected way. A girl this pretty could easily be excused for putting on airs, assuming an attitude, or becoming full of herself. But not Barbara D - she seems completely down to earth and entirely approachable, two factors that only add to her allure.

In the past I’ve made note of minor flaws in Barbara’s presentation, but over the course of 20 galleries she’s gained poise and polish. In “Chisel” she delivers some sophisticated, creative postures that fit right in with more natural poses. I find it interesting that Barbara D’s entire MetArt portfolio was shot by a single photographer, Alex Sironi. The two clearly work well together, and the artist deserves credit for coming up with so many distinct ways to shoot the same model.

I’m not certain, however, that “Chisel” is among the very best sets this pairing has produced. The set design is simple, a Sironi signature. Barbara stands (or sprawls) on a fur rug in front of a black and white room divider. I have two minor nits to pick with this arrangement. The screen has strong vertical and horizontal elements that beg for - or at least suggest - an upright, level approach to composition. Yet Sironi lets his camera do a bit too much tilting for my tastes. And that animal pelt is visually and tactilely interesting, but it’s also shedding, and in many shots stray hairs can be seen on the model’s otherwise immaculate body. As I said, minor nits.

Barbara D is so warm and at ease that she makes even the most explicit shots - and there are many to be found here - seem cute rather than lewd. And Sironi, true to form, includes thoughtful detail shots, along with full-length figure studies. Favorites? #048 is a stylish and explicit reclining pose. #054 is a demure and delicious kneeling shot that perfectly captures Barbara’s splendid bust. #126 and #127, two variations on the same pose, are delightfully different and undeniably beautiful, as is #129 in which an unexpected ray of light falls across her face highlighting her eyes. Barbara D in “Chisel” charms me once more.

Admirers of amply-endowed young women will find much to celebrate in this debut MetArt erotic photo gallery. Blue-eyed brunette beauty Marta E boasts a luxuriously curvy physique and her generously scaled bosom is bound to turn a lot of heads. Yes, I’m aware that not everybody likes busty girls, but those who do can’t help but be impressed by this temptingly top-heavy tyro.

There are elements of Marta E‘s performance that reflect her lack of experience, but her assets far outweigh her liabilities. She has a lot of personality, a ready and enthusiastic smile, and she does display a wide range of looks even if the set is somewhat limited in style and scope. I’ve enjoyed work by Matiss in the past - and he clearly has a keen eye for spotting fresh talent - but, without being overly critical, I can say that this series is far from his best.

Matiss has chosen an indoor location, for one. The majority of this artist’s pictorials are shot outdoors and his mastery of the challenges inherent in location work is obvious. This room is somewhat cluttered, the wall behind a sofa draped with two random blankets is a grid of square niches filled with ceramic curios, and Matiss shoots many of the images off-horizontal. Not his finest work, but there is still much to enjoy here.

Between the so-so setting and the model’s inexperience there’s something of a casual, snapshot quality to some of these images. But even in the most spontaneous images there’s an admirable level of visual polish. And Marta E is a genuine cutie. Compare #006 and #011. Two similar poses, the first cheerful, the second a touch more “modely.” There’s range on display in “Presenting,” and real potential. And while her big, beautiful breasts may dominate the frame, blue eyes, flawless complexion, and cheerful, spirited energy give her a lot to work with in future pictorials. I welcome the opportunity to see what Matiss could do with her in a picturesque outdoor location, and I’d also be curious to see what other artists can coax out of this physically gifted newcomer as she gains experience.