Exotic Blog

"Presenting" Zola - exotic, erotic, enticing… 1With her dark hair, dark eyes, olive complexion, and sultry attitude, Zola - making her Metart modeling debut in “Presenting” - is an enticing exotic beauty who radiates erotic appeal. Zola’s combination of physical beauty and steamy personality is difficult to resist - the fact that she so enjoys the process of posing and sharing herself with the viewer only adds to her allure.

Although I was instantly charmed by Zola, “Presenting” gets off to something of a shaky start. Much of the set takes place on a large sofa of beige leather. Behind the sofa is a sort of sheer curtain hanging in front of a room divider of glass shelves, and behind that there’s an open space that photographer Fabrice has absolutely blasted with backlight. When the framing and exposure is right - and I hasten to add that it is right in the vast majority of images - the effect is flattering and appealing. But there are shots, #020 is one, where the excessive light bleaches the entire image.

As I mentioned earlier, Zola appears to be enjoying the experience. For a girl with such dramatic features - those fabulously full lips are the very picture of plump and luscious - she has a sly, subtle, vixenish manner. This is a girl who can be powerfully and wonderfully seductive simply by pursing her lips and slightly narrowing her eyes - you’ll see exactly what I mean when you have a look at #079, a bedroomy and beguiling headshot.

While “Presenting” isn’t the most dramatically explicit photo set at Metart, it is by no means tame. Zola has an ease and confidence that adds extra impact to her complete lack of inhibitions. While artist and model experiment with a wide variety of poses, they do take care to include a full selection of explicit images that provide the viewer with a comprehensive view of the goods.

Presenting” Zola is a promising debut by a model who is exotic, erotic, and enticing.

"Shiya" starring Nici Dee - casual Friday… 1Quick, describe the setting of a typical Metart erotic photo gallery. I imagine that many members would choose a sun-kissed beach, an inviting boudoir, or perhaps a stylishly decorated photo studio. But I very much doubt anyone would select an office. But that’s exactly where “Shiya” was photographed - a large, somewhat drab, office filled with desks, chairs, computers, monitors, and the mundane accessories of a typical business. No, this is far from a typical Metart series, but it is a most welcome addition, nonetheless.

I’ve never viewed a set by Alex Lynn, and I’ll give him full points for the concept and creation of this unusual - and unusually satisfying - collection. The office is an unusual choice, but artist and model use it to their collective benefit.

Ah, the model. This is only her forth appearance at Metart, and it’s the first time I’ve seen Nici Dee, but I can tell you immediately and without reservation that this is an exceptionally talented, and extremely beautiful young woman. It’s easy to focus on her breasts - they’re really exquisite - but in every other detail and aspect her physique is simply stunning. And this exotic, cat-eyed beauty has a remarkably expressive and appealing face. She has a look and presence that’s all her own and there is real depth and range in her presentation.

Nici Dee tends to operate in a muted, thoughtful zone, and that seems particularly well suited to the deserted office setting. In #004, for example, the top edge of the computer monitor on her desk is blurred in the extreme foreground and Nici, still clothed, sits gazing thoughtfully out the window - it’s not so much a pose as an evocation of a day in the life. And when Nici begins to remove her office-appropriate outfit, “Shiya” swings from thoughtful to thrilling. If her imagined coworkers knew what was hidden by that modest outfit they wouldn’t get a single thing done all day.

Of course, we’re treated to a full and comprehensive view of Nici’s many and splendid assets - explicit close-ups, evocative and mesmerizing headshots, a couple of subtle and utterly disarming smiles, and image after image of a gloriously sculpted body in a wonderful variety of poses and compositions. High praise to this beautiful model and the clever and creative artist who captured her here. “Shiya” is definitely not just another day at the office.

"Risveglio" starring Bansari A - exotic, enticing, inviting, surprising… 1

Sometimes a MetArt erotic photo series surprises me. That isn’t always the case, however. Occasionally, after viewing a handful of images - particularly of a familiar model - I can make a reasonable prediction about how the balance of the set will unfold. But “Risveglio,” thanks in large measure to its star, was filled with unexpected elements.

Of course, I’ve never seen a gallery featuring Bansari A before, so the model was unknown to me. So, as I looked at the introductory shots - #004 is a representative example - I thought this is a very pretty, innocent, sweet young girl. Between her delicate features, her bright smile, and her rather modest white dress, I concluded that this would be a demure, reserved performance. Imagine my surprise - and, yes, delight - when Bansari lifted the hem of that dress and eagerly and enthusiastically presented her delectable intimate anatomy to the camera only a handful of shots later.

This model can project sugary sweetness and youthful innocence in one photo, and then shift to smoldering, incendiary eroticism in the next. She can keep things under wraps and entice with the warmest of smiles, and then, mere moments later, she’s spread wide and offering herself without reservation. Further, some of the most brazenly sexual poses here are accompanied by a bright, genuine smile - Bansari A is obviously uninhibited, but the fact that she’s so clearly enjoying sharing herself with the viewer really adds impact and appeal to the pictorial.

Karl Sirmi has a fine grasp of Bansari’s gifts, both physical and emotional. He captures her youthful innocence - she was only 18 at the time “Risveglio” was shot - as well as her bold, in-your-face sexuality. The overall mood of the set is bright and cheerful, but Sirmi also presents the moody, reflective aspects of Bansari’s personality, which only enhances her considerable allure.

Selecting favorite images of this exotic and enticing beauty in these deftly posed and presented images is no easy task, so I’ll limit myself to just three highlights: #037, on her back, legs spread, revealing all. #041 for the moody expression and exquisite face. #067 for the artfully implied autoerotic ecstasy. #077, a brilliant tiptoe pose, pin-up style, that nubile body, and that irresistible smile.

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